Arch manipulator, scoundrel, chief propagandist, provocateur, Shepard Fairey is the man many hail as the originator of the modern urban art scene and is an undeniable phenomenon. First coming to prominence in 1989 with his now ubiquitous ‘Obey Giant’ sticker campaign, the self styled phenomenologist has since gone on to become one of the most recognisable & influential street artists working today.
His work, a mixture of parody and protest, serves to subvert the very medium to which it attaches itself. Wall paper posters adorn advertising billboards that in his own words ‘market nothingness’ while large scale posters with the simple one word message ‘obey’ stir the bewildered masses. His unique use of stencils, collage, photography and painting have led to collaborations with among others, DJ Shadow, Interpol, Smashing Pumpkins and more recently the poster art for the Johnny Cash biopic, ‘Walk the Line’.
It was in 2008 that Shepard Fairey gained fame with the large public when he created, illegitimately, the now world over famous Obama Hope poster in red and blue colors. While this was not official promotion, Shepard Fairey claims that the Obama campaign did contact him to change the word PROGRESS, which was originally on the poster, to the word HOPE. Whilst they could not officially acknowledge the poster even there the campaign officials tries to make the most out of every initiative.
Fairey’s works have been exhibited in numerous public and private institutions, including the Victoria and Albert Museum, the Smithsonian Museum, and the Museum of Modern Art.